Is the news media liberal? Yes, but not the way you think.

We've heard accusations for years about the alleged bias of the "liberal news media." Professional journalists are trained to keep their own opinions out of their work, but in the broader (non-political) context of "liberal," having a liberal news media is good for everybody. 

Read to find out why.

27 Things you may have missed in Star Trek Discovery

Screen capture under copyright fair use

I believe that I have seen every Star Trek episode and movie so far, so of course I am interested in Star Trek Discovery.  I enjoy looking at story lines and visual elements, but I also enjoy watching for the little details that other reviewers often don't mention.

There are no significant spoilers about the story line, but here are some details I notice in the first two Discovery episodes of season two, Brother and New Eden.

1.  Spock told Pike about Michael ("He said you were smart") but not Kirk about Sybok.  Is there a chance that Kirk DID know about Michael, but it never come up on screen? 

2.  Change of command cannot be transferred without DNA authentication witnessed by the entire bridge crew since the war.  Tell that to Matt Decker and that other guy who appropriated Enterprise ten years later.  

3.  Pike served on the USS Antares, poor ship (it's the one that Charlie X blew up). 

4.  The Enterprise "new uniforms" are exactly the same design and cut, except with different colored fabric.  The design makes the Discovery uniforms look like jumpsuits, but the same design makes the Enterprise new uniforms look a separate top and trousers.  The trousers that go with Pike's gold shirt uniform have zippered pockets, by the way, and I believe that e have never seen pockets in a Starfleet uniform before. 

5.  In episode one, Tilly talks about living with ghosts, which actually happens to her in later episodes. Foreshadowing.  

6.  Michael's pillow is on her bed vertically, now horizontally, like most people have their pillows. Maybe it's pre-positioned for sitting up in bed.

7. Their phaser pistols DO have the little phaser 1 on top. They look a lot more like TOS phasers than the ones Pike had on Talos IV.  Plus, why did they take the bigger pistols to New Eden when they wanted masquerade as locals? With no threat obvious, the littler ones would be more inconspicuous. 

8. During the Klingon war, which the Federation almost lost, Enterprise was too far away to come back?  That means months at high warp (or what was high warp back then) because the war lasted at least ten months.  Were all of the Constitution Class ships that far out? 

11. The ships we see outside the window in Brother tractoring Enterprise look a lot like Miranda Class, with old-style nacelles. 

12. When Spock gave up the Kolinahr because he sensed Vyger from a distance, maybe his consuming curiosity came from the fact that he'd been through it all before with the still-mysterious Red Angel. "Wait - another one?"

13. In episode 1, Pike says he needs a new Ready Room.  By episode 2 he has one, and it is apparently NOT right off the bridge, as the old one was.  The new one has a surprising number of decorative items for a temporary captain. 

14 In New Eden, when Michael arrives on the bridge, Tilly says she has been using Michael's station to run calibration modeling programs, but the things she has open on the desktop are Command Training Program manuals, checklists, a "to do" list, and private messages. 

15. Identifying the location of the New Eden red signal needed better technobabble. Discovery uses a momentary warp jump to get closer to a signal in order to pinpoint its location, but being in maximum warp for five seconds is inconsequential compared to the 51,450 light years away the signal actually was. This compares to the roughly 70,000 light years Voyager was swept by the Caretaker, past the Beta Quadrant into the Delta Quadrant. Did Captain Janeway ever consider going to the known human colony on New Eden?   

16. Nice that Discovery mentions the ban on human genetic engineering that was featured in Star Trek Enterprise episodes and that resulted from the Eugenics Wars. 

17. "Be bold, be brave, be courageous" sounds like an embryonic catchphrase. 

18. The Discovery is under red or yellow alert, little motion graphics appear at the upper left and right of the bridge view screen to remind everybody. Presumably Black and Blue alerts, also.

19. Saru can determine how long the radio message has been transmitted based on "audiophonic degradation"?  Technobabble failure. 

20. Lots of people have comments on the reference to reframing Arthur C. Clark's third law. Suggesting that "any sufficiently advanced extraterrestrial intelligence is indistinguishable from God" pretty well lays out that this a YAGLA story arc (the term used by fans for "Yet Another God-like Alien"). 

21. Tilly referred to her metreon-charged asteroid and metreon-charged dark matter.  Metreons have mentioned several time in Star Trek's past, including as particles that interact with dark matter.  Nice technobabble continuity. 

22. In Brother, Michael has several holographic candles burning in her room, whereas in the New Eden church, real candles are burning during the day, plus flaming torches outside at night, with none of the locals around. Apparently the locals have plenty of candle-making and oil refining capability.  In addition, the basement lights are bright and have wires running to them.  They can keep them lit, but not the lights upstairs? Plus the power to run the transmitter for years and years?  Inconsistent portrayal. 

23. It looks like each of the seven red signals is leading Discovery to a rescue mission, but each of them seems to be a manipulated event - by May or somebody else?  Seven signals equals half of the season.  Will the second half of the season be a different story arc, like last season? 

24. I don't get how the entire 365 degree ring is heading toward the planet, but pulling away just some of the debris in one place pulls all the debris everywhere away.  By the way, the "donut in a starship" wasn't all that great a special effect.  A donut is a 360 degree skid.  Sorry, producers - the visual effect didn't pay off. 

25. Transporters can't lock on to the Metreon asteroid rock (Brother) but tractor beams can (New Eden)? Plot device. 

26. There did not appear to be a bell in the church belfry.  They should have one, plus lights there.

27.  The episode preview at the end of New Eden shows the Discovery commissioning plaque.  She is Crossfield Class, presumably a reference to famous pilot Scott Crossfield, the first pilot to fly at twice the speed of sound.

So, yes, these are the kinds of things I look at when each new Star Trek episode, along with the more obvious things like story line, script, visual presentation, and acting.

Star Trek's Borg are reflected in today's society

I wrote this in 2018, but given the extraordinary growth of white nationalism in American society, it's worth considering again.

Star Trek's ultimate bad guys, the Borg, are a metaphor. As we see them from today’s perspective, they are placeholders for white nationalists and for invasions of our privacy by technology.

The Star Trek Enterprise episode Regeneration was on the other evening, and it made me think again about the Borg, their original role in Star Trek storytelling, and how they speak to us today.

From its beginnings in the 1960s, Star Trek has told stories of computers and technology overshadowing human freedoms.

• The Ultimate Computer made the captain and crew unnecessary
• Several aliens, like Trelane and Apollo, used hidden technology to amplify their god-like powers
• Landru and Vaal were computers that controlled entire planetary societies
• Androids imprisoned Harry Mudd
• Nomad and Vyger just wanted to kill everybody

These stories were clearly rooted in the concerns that were common in the 1960s that computers were turning us into numbers and taking away our individuality. It was a time when computer databases were first used to automate and track the interactions of people, and errors were often made due to lack of sophistication.

The Original Series plots served as metaphors for these societal concerns, generally showing the defeat of the computers/technology through the cleverness of the captain and crew, including confusing the computer with logic or illogic, getting it to calculate π to the last digit, etc.

These social anxieties about computers and technology have never completely gone away, and we see them resurgent today in the news about hacking and tracking and deceiving people via their social media and smartphones.

When The Next Generation producers were looking for a nemesis, they reportedly first considered a society of space-going insects, but settled on cyborgs, i.e. the Borg.

The Borg drones are humanoids that have extensive technology implants and replacements of body parts, but the technology suppresses their individuality. They are the ultimate of a peer-to-peer network, with no central control (the Borg Queen is simply a mouthpiece for the collective) and no individuality, hardly even individual consciousness.

But Borg is not just a cybernetic society.  It aggressively assimilates species after species, claiming to want to improve their quality of life, which requires taking away their individuality.  They are the ultimate of conformity to a black-and-white values system, with "you must comply" as their mantra.

The drive for conformity was powerful in 1950s America.  In the 1960s, the pendulum swung the other way, at least among young people, and "do your own thing" was the standard wisdom, along with great distrust of "the establishment", prompting the "don't trust anyone over 30" rule.

These twin youth culture rules had largely faded away by the time the Borg were introduced in The Next Generation.  Their original proponents were in or near their 40s, were settled down with children, and most had establishment jobs. But in Star Trek's positive multi-cultural view of a future embracing technology, it is not surprising that the great antihero (the Borg) misuses technology in a mono-cultural and deeply utilitarian society that has no respect for those who are different, including those who embrace individuality.

Based on Seven of Nine and other drones separated from the collective, Borg drones find great comfort in never being alone, in being immersed in the cacophony of the thoughts of billions of Borg.

I can't help note that many people today seem to be unable to stand being disconnected from their smartphone "friends" and are endlessly pressured to conform by forwarding memes, playing "games", and being guilt-tripped by statements like "only 1 in 147 people will share this, but do it to prove that you are my friend."

But the Borg are not just representative of today’s marketing in which loss of privacy and sharing of data leads to improved quality of life.  They are the powerful majority, suppressing the weaker minority.

The great underlying message of all Star Trek is multi-culturalism. The Borg are not just compelling bad guys. They are the antithesis of a multicultural society. In today’s terms, they are the White Nationalists, who are really interested only in power.

The dominant white culture, they believe, is polluted by the differentness (individuality) of the immigrants, just as the Borg cannot abide by individuality, forcing individuals to perfectly integrate into their cyborg society.  I wish we could simply order THEM to calculate π to the last digit.

Rick Berman (executive producer of four Star Trek series) said recently:

“If you believe in the values of Star Trek, you need to vote in November, and to get everyone you can to vote. Trek and apathy don’t fit.” 

I would go a step further and say that if you believe in the values of Star Trek, you have to take a stand against those who oppress minorities.

Don’t engage in violence, but vote, call out ethical and moral failures and don’t assume it is going to happen without getting yourself involved.

(Image from: https://upload.wikimedia.org/wikipedia/commons/6/6f/Borg_dockingstation.jpg)

"Deconstructing" Star Trek Discovery

There’s been a lot of talk about Star Trek Discovery, but I haven’t seen anybody yet really analyze the story.  Ergo, here is my “deconstruction” of the first two episodes.

First let me say that in 1990s, when The Next Generation was on the air, it was common for fans to go onto the message board and work through many fine details and nuances of the episodes.  As I said, I do not see that level of analysis as often today, which is why I am providing this example.

Many of my comments could come across as negative, or as complaints, but that it not what they are. They are observations concerning the many decisions made by the writers and producers. They are what they are, because Discovery is a completed work of art, which is unfolding week-by-week.  So I am looking at what the writers and producers did, how they did it, and why they did it.

There ARE spoilers below, for episodes 1 and 2.

About the Plot

T’Kuvma is a cult leader, having gathered together outcasts and those marginalized by Klingon society. He found his father’s crashed ship, repaired it, and has fixated on the Federation as the enemy of the Klingon people.

“They are coming. They will coil around us.  And take all that we are,” he says.

So, he lures the USS Shenzhou, NCC 1227, to the fringe of Federation space and provokes a conflict.  It is Stardate 1207.3, or May 11, 2256 on Earth.

Specifically, T’Kuvma ignites a huge beacon, both in visible light and subspace signals, that attracts representatives of the 24 “houses” of Klingon society.  He cites legendary Klingon leader Kahless, and essentially says, “Make Klingon great again.”  

Battle results between Klingon and Starfleet ships.  T’Kuvma is killed, and it is asserted in the episodes that killing him makes him a martyr that the Klingon people will rally around, setting the stage for the war storyline in the remainder of the series.

The main character of Discovery is Michael Burnham. This black female first officer of the Shenzhou was raised by Spock’s father after her parents were killed in a Klingon raid.  This is a little confusing because the episodes also establish that virtually nobody has heard from the Klingons in a century.  Maybe it will be clarified in future episodes.

Michael displays some Vulcan traits if employing logic and analysis, but emotions also influence her.  She is the one who actually kills T’Kuvma after he kills her captain, Philippa Georgiou.  Therefore, it is Michael who triggers the entire war, because she allows her emotions to overrule her logic, exacting revenge for her captain’s death.  Saving her captain and crew is more important to her than Starfleet’s principals, which appears to be a remarkably emotional reaction, for one trained by Vulcans.  

Apparently, they have never heard of setting phasers on stun.

Michael gets in big trouble, is court martialed, and sentenced to life in prison.


The Klingons

One of the biggest continuity issues is that Klingons in this era did not have head bumps. 

In Star Trek Enterprise, the Klingon people were infected with a deadly virus, and the cure removed their head bumps.  They only got them back after The Original Series.  This was done in Enterprise to rationalize why Klingons in The Original Series had no head bumps, but before and after, they did.

The Klingons in Discovery would not be as threatening and exotic, if they conformed to established continuity.  This is a question of design esthetics over rigid continuity, but it is one of the things long-term fans will grumble about.  

The assertions about “coming in peace” or firing on first contact were not persuasive to me.  If you fire on a Klingon, the Klingon will fire back.  I do not see that as leading to respect from the Klingons. Klingons respect honorable behavior, like the Enterprise-C defending innocent Klingon civilians from the Romulan raid.  Firing first and asking questions later would not fit Klingon ideas of honor, I believe.

A threat display MIGHT have impressed the Klingons. However, in a threat display, you would fire your weapons in different directions, not at the people you want to impress.  What Michael was advocating, firing first, would just make them mad and ready to defend their own honor against an unreasonable attack.  

Honor IS important to the current generation of Klingons. At one point, T’Kuvma talks about honor, but the other Klingons say he has not earned it. It is interesting that we see flashback scenes that show he had been bullied as a child, which appears to have been part of his stimulus to restore honor, as he saw it, to the entire Klingon people. 

The Klingon cloaking device is also troubling. It is a one-off technology developed by T’Kuvma, so I HOPE we will NOT see Klingon cloaking technology later in the in this series.  It is well established that the Klingons eventually obtain cloaking technology from the Romulans, a dozen years in the future after Discovery.


The Shenzhou

The Shenzhou, of course, is named after the current real-life Chinese manned spacecraft.  

The bridge of the Shenzhou is huge – much larger than a Galaxy Class bridge decades later.  I don’t mind the modern set design not being anything like the Pike/Kirk Enterprise, but to me the various workstations seem spread out too for effective teamwork and collaboration.

By the way, the bridge is on the bottom of the saucer, with real windows, or at least transparent view screens.  

The assertion that the Shenzhou has no shuttle maneuverable enough to navigate the accretion ring is a plot device. Going fast and dodging stuff is hard, but provides dramatic footage.  Going slow makes it not so hard to dodge stuff, but is more boring, even though a shuttle would give more protection from radiation, because it has shields.  

In addition, why didn’t Philippa move Shenzhou closer when they knew Michael was in critical condition?  Yes, there was some debris, but they have shields, and in one wide-angle scene, they were clearly well away from the debris, where they were parked.  It is a standard law of radio that if you cut the distance in half, you quadruple the signal strength between two locations.  They didn’t do this, again, to heighten the suspense.

It will be interesting to radio folks, like me, that a Shenzhou graphic shown while Michael is missing near the Klingon Ship says the transmitters are using 100 watts with an antenna length of 8 meters, but radiated power is a whopping 12,599 watts. In the radio business, we call that a lot of “gain.” 

Nevertheless, why are they using faster-than-light Subspace Radio (subspace frequency 1142) to talk to a ship that is within viewing range, at the most a light second or so away?  Plain old VHF or HF radio would have solved many of their problems. 


The Other Ships

Several Federation starship names had cool associations.  The T'Plana-Hath is named after a Vulcan philosopher mentioned in Spock’s testing at the beginning of The Voyage Home.  The Yeager is named for legendary test pilot Chuck Yeager.  The Ride is presumably for the astronaut Sally Ride.  Many people seem to think that the Edison was named for the inventor, but I think it was for the long-lost Balthazar Edison, a character in the third JJ Trek movie.  The Europa, NCC 1648, is a reference to either Europe, or the moon that may harbor life (and by Michael’s time, they will know whether Europa has life).

By the way, all the ships zapping at once does not make sense.  Surely they came from different distances.  Why would some fly extra fast and some unusually slow so they all arrived POP at the same time. It is a dramatic visual, evoking the new Battlestar Galactica fleet arrivals or departures, but not very likely in the Star Trek universe, where even decades in the future the Enterprise is often the “only ship in the quadrant.”


The Uniforms

I also don’t mind that the uniforms don’t look like Pike/Kirk Enterprise uniforms, again because of modern design expectations.  The uniform side panels appear to reflect position - gold for command, silver for science, and I think maybe bronze for positions like navigation and helm.  If you look closely, they are made of a mesh of very tiny Starfleet insignia.  The Starfleet insignia on the chest also has different colors to reflect divisions, and that is where the rank insignia pips are in this incarnation of Trek.  The space suit helmet liner also had Starfleet insignia fabric. Note that the admiral’s insignia is different and does not have pips.

Yes, I know that in this era, every starship has a different insignia, and what I call the Starfleet insignia is really only assigned to the Enterprise.  But I do like the visual continuity that its consistent use provides.  


Professionalism in Starfleet

The entire first officer nerve pinching the captain, mutinying, and then the captain pulling a phaser on the first officer doesn’t really work very well.  It is part of the set-up of Michael is a disgraced convict, about to be pulled into risky events, but it isn’t how Starfleet officers behave in MY Star Trek universe.  

Nobody in Starfleet would imagine themselves getting away with this.  Spock didn’t even imagine himself getting away with hijacking the Enterprise to Talos IV, although his plan allowed him to not get caught for longer.


The Galactic Vicinity

We’re told that the Andorian colony at Gamma Hydra is six light years away. Gamma Hydra is where the Enterprise was going in the Kobyashoi Maru exercise. This means that the double star setting of these two episodes is near the location of the future Klingon neutral zone. Gamma Hydra is also mentioned in passing in other past Trek episodes.

Really, the whole basis for the conflict in Discovery is a bit strained. 

“This is Federation space.  Retreat is not an option.”  Who says its Federation space?  

It’s an uninhabited binary system with stars still forming.  There is no indigenous species. The implication is that the Federation just out-and-out annexed it by fiat. 

I was also troubled by the Sarek-Michael telepathic conversation while they were 1,000 light years apart. Sarek says that part of his Katra is in her, which of the Vulcan consciousness.  Basically, Michael is apparently like one of Voldemort’s horcruxes?  

Oh, and 1,000 light years away, Sarek already knew that there was a “new star in the sky” after only a few minutes?  That is not a reference to invisible subspace signals, but rather to light, which would take, oh, 1,000 years to get to him.


Formula Plot Elements

There were several elements of this story that draw on common screen writing formulae that you see all over the place, if you know what to look for.  

Formula scenes include the opening scenes that set the tone of the story, the catalyst that changes everything, the main character making a choice that defines the “journey,” The Dark Night of the Soul in which the main character struggles with hopelessness (the brig scene), and others.

I can see many of these elements in episodes 1 and 2.  Of course, the story continues for 11 more episodes, so they may be stretched out, or we may see the formula being repeated time after time in the subsections of the story.

However...formula plot elements are not automatically bad.  Because they contain elements of familiarity, the audience relates to them easily, making it easy to engage with the story.  (For more information on a very widely-used formula, see this link.)    


Final Thoughts

There are plenty of additional things from these two episodes that could be mentioned.  But I think I have given an example of productions such as Discovery working on many levels, and having many factors that affect them.

Discovery plays fast and loose with certain points of Star Trek continuity.  The richly developed world defined by this continuity is what appeals to many long-term fans. Bit I think my many examples show that in every case where Discovery deviates, it is for a practical “works better for the audience” reason, and as I have shows here, the audience they are catering to is the newer fans they hope to attract, not the entrenched long-term fans.

Newt - A typical Hufflepuff

I've seen Fantastic Beasts and Where to Find Them a couple of times. It was not quite what I expected, but I see exactly what J. K. Rowling was doing with the characters, and I enjoyed it.